With “Fool’s Keeper,” Chloe Gallardo’s chill indie-pop makes longing go down smooth. Chloe Gallardo’s debut project, the Hey Kid EP, came out as she was graduating high school in 2017. In 2020, she’s honing a new sound: sweet, dreamy indie anchored by euphoric guitar riffs, ethereal vocals, and squeaky-clean production. “Fool’s Keeper” is her first track in almost a year. It’s smooth, lush, and groovy; a sound that belies the sadness in its lyrics. Beginning with a sample of drum machine and a

Jonny Gold’s indie-country debut “How Do You Like Me Now” is here, it’s queer, and we’re not getting over it. Western aesthetics have been having a moment in the queer sun, through artists like Kacey Musgraves and Orville Peck. Joining the pack is Jonny Gold, a nonbinary singer-songwriter who grew up in ultra-conservative South Texas and now resides in Seattle, Washington, where they make beautifully sad cowboy music for the rest of us city slickers. “How Do You Like Me Now” is a catchy, shimm

The inspiration for S.F. Johnson’s forthcoming EP, Songs from an Empty Orchestra, comes from the artist’s desire to capture the essence of his time living in Tokyo.

Foxgluvv’s dreamy, glitzy pop music and high femme aesthetic made us fall in luvv. Lucky for us, she’s the curator of our March Queeropedia playlist.

Pop melodies, grunge tones, folk fingerpicking, and post-punk song structures are patched beautifully and darkly into a cohesive record, making the album a unique and rewarding listen.

Boyish, aka your new favorite anxious queers, have curated February’s QUEEROPEDIA playlist to get you through Aquarius season.

Featuring spare production, gauzy vocals, and plenty of synth, Lizzy Young’s new single “God is Pink” is an art-pop delight.

Roach Girl‘s track “Heavenly Song” sends an introspective, vulnerable message from the other side.

“Follow My Girl” has every element of a good pop song: self-loathing, sapphic desire, a catchy hook, and a horn solo.

23-year-old singer-songwriter Caroline Lazar uses wit and lo-fi charm to reclaim her space on her latest single “Roller Rink”.

On her first record in four years as Long Beard, Leslie Bear’s glittering dream pop is cleaner and brighter than ever.

“Visitation” is taken from The Rifle‘s upcoming album, Honeyden, out January 31, 2020 on Burger Records.

Eyemèr responds to the darkness of the world and shines a light on the rest of us with new single “On My Own”. Using their melancholic indie-folk to break down the stigma against mental illness, Eyemèr is the project of nonbinary singer-songwriter Sarah Devreese from Ghent, Belgium. The project began in 2018, prior to which Sarah released music using their own name. As Eyemèr, they use their platform to bring light to the realities of genderqueer people and people living with mental illness. “

Emerging from their former project “The Blue,” the 22-year-old pair have reunited under the name Boyish and composed an indie rock elegy to a fading relationship with their new single “Ghost.”

The two-track teaser signals the band's new direction in the form of a five-minute egg-punk sucker punch.

Maxwell Musick’s third single, “Midnight Cowboy,” is a celebration.

Thematically occupied with the realm of passing fads and the cyclical nature of time, Trends is a Los Angeles-based alt-rock band with its own hashtag (#trendsneverdie) unafraid to color outside of the expectations of genre.

Los Angeles-based artist Hana Vu takes us on an electro-pop day trip to relationship purgatory with brand new single “Outside”.

B O K E H's latest single, “Options,” is a love letter to anyone who has ever felt repressed due to their true desires, gender or sexuality.

This entire record marks a turning inward, a refocus on the connection and desire for creation that brought the band together in the first place.